Country Music legend and “Class of ’89” member Clint Black during a recent appearance on Tracy Lawrence’s “Honky Tonkin” radio show when he was asked about the current state of country music commented: : “It’s always growing, but it seems to go back to its original value, and I think that’s what’s happening right now.”
Clint Black’s Statement Makes Country Music Real Again
Clint Black’s conclusion is hard to argue with, and it’s great that the words of a Country Music giant sparked a country music revolution. It really speaks to the evolution of country music over the past few years.
While the 2010s and below were pretty terrible times for country music, with the rise of Bro-Country and the emergence of artists like Sam Hunt, the exclusion of traditionalists From this format, among other evils, country music is definitely starting to change trends. Sure, there are still some not-so-stellar artists and songs that make it to the top, but there’s also some better content that has been dropped and it all seems to be moving in the right direction and being well received by everyone. led by songs.
Next Time, Country Music Will Develop Even Better
Tracy Lawrence told Clint Black in the interview, “Coming is evolving back to where it’s a little more traditional, has great lyrics, really good lyrics,” Tracy Lawrence said. with Clint Black in the interview.
What’s also interesting about Clint Black and Tracy Lawrence’s review is that it comes with the pre-existing conclusion that years ago country music didn’t serve the public with songs with depth and clarity. wrong direction. But things have changed since then, and the rise of interest in the country in the ’90s like Clint Black and Tracy Lawrence is helping to fuel that.
Let’s Reflect And Observe Country Music In The Future
And that seems to be what is happening. Along with the improvement of the mainstream countries in the near term, fans are also returning more and more catalog records for their national fix, especially from famous artists. In the ’90s, while independent national artists fell out of favor with mainstream stations, they were connecting with more fans who ultimately expected more substance and more than their mainstream peers. , challenges big label artists and musicians to perfect their game.
Clint Black could very easily play a bitter 60-year-old performer who hasn’t been in the Top 10 for 22 years and says all the new stuff has lost its soul and shouldn’t be on radio. . But the reviews from both Black and Tracy Lawrence really help underline that things are really changing.
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